Every musical aspect of the late Paul Rutherford's work is on show here and he is supported throughout by men totally in sympathy with him. Prévost is consistently busy and endlessly inventive. He injects an urgency that moves from the conversational power pf Moore's cello into a mood that contains the more angular controls of the horns. Rutherford and Smith are stunningly interactive. Their contrapuntal conversations set remarkable standards and they deliver their results with a nonchalance that is daunting.
Barry McRea Jazz Journal April 1010.
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